#'remember when i killed you
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poorly-drawn-mdzs · 1 month ago
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Never underestimate the healing power of a good meal!
(For @nibbelraz!)
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basalting · 3 months ago
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after jasons death bruce "accidentally" slips harvey a crowbar while hes in arkham and kisses his cheek and says, voice soft and colder than ice, "make him hurt for me honey"
it takes 6 guards to sedate and drag two face off the joker the next time two face sees him and for the rest of their lives as soon as harvey sees the joker he goes after him like a rabid dog.
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technically-human · 6 months ago
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St. Hilarion's ghost story
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faunandfloraas · 4 months ago
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Countdown to Seungmin's Birthday ↘ D-6: Fanboy.
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strwbrryfire · 5 months ago
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marypsue · 1 month ago
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Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.
However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.
#hear yourself. for the love of whatever you cherish.#'but they only kill bigots so ACTUALLY they're the GOOD GUYS -' your metaphor of monstrosity is entirely premised on the question of#'what if what you went around righteously killing; believing your actions to be justified;#were actually people and it was not in fact righteous or justified to just kill them'#'what if the world isn't neatly split into 'good guys' and 'bad guys'#who gets to decide who or what is 'bad'? because that's the original problem of monstrosity-as-metaphor-for-marginalisation#(if as a creator you say 'oh my intention with this was X' cool!#if instead you go with something like. well.#'well in this setting monsters are so rare it doesn't matter that they kill people and you'd have to be a homicidal sadistic psychopath >#< to hunt them; but sure I guess if you want to play a Bad Person' well I might have#but if you're going to explicitly judge me for wanting to engage with the moral question of 'how justified is this and who would do it#versus how justified are these monsters if they do have to harm or kill people to continue to exist'#then maybe I just don't want to play your game at all)#anyway I'm sick to death of poor uwu cozy vampires who are SO marginalised so I'm not Allowed to care about all the people they murder#it being fucked up is what's fun about it! do all the other shit but let me take the murders seriously!#and inb4 someone accuses me of being a bigot for saying 'actually I don't think you get a free pass to kill and eat people if you're gay'#remember when the CW's famously reactionary and conservative Supernatural tried to just gloss over the part where every time its heroes >#< killed a demon with a magic knife it also killed the person the demon was possessing#and say 'oh no it's fine we don't care about those killings; they don't matter; don't bother caring about them either'#but they were doing it to glorify exactly the kind of people that these 'monster as metaphor' stories are trying to cast as expendable?#I have other examples that are like. real dramas. but That Paranormal Show is the one that's in the same niche that I'm talking about here#it feels more insidious when it comes through a fantasy show where there are monsters involved#so you can say 'no it's not real so it doesn't matter'#but then ALL of it is equally not real. and vampires are not actually an oppressed group. because they don't exist.#you can say 'these vampires are a metaphor for an oppressed group so this fiction matters in real life'#or you can say 'don't care about the murders because they weren't actually real'#but you can't say both and then get mad at ME for treating the murders as seriously as the vampires#let me engage with your premise and don't waste my fucking time#or just set your fluff in the Sesame Street universe where vampires drink cherry Kool-Aid and help kids learn to count
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demaparbat-hp · 1 month ago
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In your Spitfire AU, since Zuko is looking after Lu Ten II, what happened to Ursa?
Zuko is slightly older in the Spitfire AU. He was banished at fifteen, his head a little clearer and denial a little weaker than in canon. After his first look through the Air Temples, Zuko decides that if he can't find a myth, he might as well search for the next best thing.
Finding Ursa isn't easy, but in time he makes it to a secluded house in a near-forgotten part of the world. His mom is there, older and stronger and alive.
But she isn't alone.
And Zuko, as it turns out, didn't keep the best company during his search.
When Ursa is discovered and her secrets are laid bare for assassins (for Ozai) to find, she begs Zuko to take his little brother and run. She'll do anything it takes to protect her children, even if that means leaving them behind to keep a target off their back. Ursa diverts attention from them and allows Lu Ten's ancestry to be kept a secret. She orders Zuko not to follow her again, and disappears.
Zuko is left with a little three-year-old brother to raise and a mother he cannot hold onto.
#dema answers#atla#spitfire#Spitfire AU#prince zuko#atla ursa#Lu Ten II#The Ursa/Hakoda parallels are going to be insane in this one I swear#It's okay tho#It's absolutely intentional#(The other option was killing her. But I happen to find family conflict and abandonment issues way more compelling to write)#Luckily Zuko isn't alone. He's a mess of course—and raising the little brother you never knew you had isn't easy.#But he has Uncle and (once those loyal to his father have been taken care of) he also has his crew.#Look three years into the future and you've got a six-year-old Spitfire running around the ship and giving Zuko early gray hair#Ursa will be reunited with them in the future. I just don't know when would that happen yet.#Probably post-war#She returns to her children only to come face to face with their overprotective found family (aka the Gaang)#Their reunion would be quite messy at first but...it'll all be okay#They all love each other deeply. And sometimes love isn't enough. Sometimes there are things that you can't forgive or forget.#But Ursa did everything she did because she loved them. And Zuko knows that. Zuko understands that.#(He was forced to make the same decision in Ba Sing Se—giving yourself up and leaving the people you love behind so that they're safe)#(He understands)#But Lu Ten II doesn't#He doesn't remember Ursa. Not really. He knows of her what Zuko and Uncle tell him. But he doesn't remember ever having a mother.#(Tara is soft and warm and kind to him. She holds him and takes care of him and makes sure he's well-behaved. And he loves her.)#(Is that what makes a mother? Or is it the blood you share?)#Ursa isn't much like Tara. But she loves him dearly—there's a reason he has the name of someone who was so dear to her.#She is Lu Ten's mother. Zuko's mother. Uncle's sister.#And she isn't like Tara. But she loves him even if he can't remember her.#So maybe he can learn to love her back.
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jewreallythinkthat · 8 months ago
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Just seen someone say "am yisrael chai" is a dog whistle.
Like a dog whistle for what? It's a Jewish term which has been around for fucking forever and literally had dnothing to do with anyone not Jewish. They really are taking our word and sayings, deciding a new meaning which is totally bogus and then punishing us for something they made up and pretended was true.
And they call us colonisers.....
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astoundingbeyondbelief · 9 months ago
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Godzilla vs. Scylla in Godzilla x Kong: The New Empire (2024)
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yo-yo-yoshiko · 3 months ago
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Every time I rewatch Mebius fifty million screenshots materialize on my hardrive.
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ganondoodle · 9 months ago
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master koga propaganda
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iamhereinthebg · 2 months ago
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Old doodles and shitposts of the Clock keepers because I miss them everyday
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martitheevans · 11 months ago
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Shows from the 60s/70s will always consist of the main characters going through the most insane, life-changing, traumatising experience and then having a shot of them all laughing together at the end and proceeding to never speak of it ever again
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taxinealkaloids · 2 years ago
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horrible children who are. so so mean to each other
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peacockrulz · 3 months ago
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N tries to tell another joke (gone wrong)
Sequel to This
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kj-beastboy · 2 months ago
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was told on twt that I should make more art without Flug...
paperhat so nice... but without Flug pls
it would be so good if there was less Flug...
ok! do you guys think I did it right? you can be honest😔
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